Showing posts with label Classical music. Show all posts
Showing posts with label Classical music. Show all posts

Sunday, March 24, 2013

A celebration with "Symphonic Dances" in Utah

My lovely wife Amy and I celebrated our 23rd wedding anniversary a week ago today.  Our celebration was basically kicked off the night before when we went to the Granger High School Auditorium in West Valley City, Utah, as Amy and her fellow members of the West Valley Symphony of Utah performed "Symphonic Dances" in concert, under the direction of music director and conductor Donny Gilbert.

Amy Miller performs with the West Valley Symphony of Utah.  (Photo by John G. Miller)
After many years of performing at the Granger auditorium, this was the last time for the West Valley Symphony to set foot in the facility before it's taken down to make way for a new auditorium, and a lot of memories will go along with it for the all-volunteer orchestra of nearly 70 musicians.

It's a group of musicians that does it purely for the love of the music.

Among the selections played at the concert were Russell Bennett's "Cakewalk, Leroy Anderson's "Blue Tango, Ravel's "Pavane Pour Une Infante Defunte," and Tchaikovsky's "Pas De Deux" from "The Nutcracker."

Among the highlights for the evening were Bach's "Brandenburg Concerto No. 2," "Danzon No. 2" by Arturo Marquez, and the finale of "Berceuse and Finale" from Stravinsky's "Firebird Suite."



Monday, December 24, 2012

One song that gives me goosebumps every time

There is one song out there that gives me goosebumps every time I hear it, and I've heard it countless times.  It's not something that we hear on a regular basis until this time of the year, but to my ears it's one of the most beautiful songs ever written.

The notes and words that come from the chorus alone are enough to bring a lump to my throat.  I can be a softie that way.

It's a song that was composed by Adolphe Adam in 1847 to the French poem "Minuit, chrétiens" (Midnight, Christians) by Placide Cappeau (1808–1877).  It's seen a few different versions, but my favorite is the one created by Unitarian minister John Sullivan Dwight, editor of Dwight's Journal of Music, a singing edition based on Cappeau's French text in 1855.

It goes like this ...


O holy night! The stars are brightly shining,
It is the night of our dear Saviour's birth.
Long lay the world in sin and error pining,
'Til He appear'd and the soul felt its worth.
A thrill of hope the weary world rejoices,
For yonder breaks a new and glorious morn.
Fall on your knees! O hear the angel voices!
O night divine, O night when Christ was born;
O night divine, O night, O night Divine.
Led by the light of Faith serenely beaming,
With glowing hearts by His cradle we stand.
So led by light of a star sweetly gleaming,
Here come the wise men from Orient land.
The King of Kings lay thus in lowly manger;
In all our trials born to be our friend.
He knows our need, our weakness is no stranger,
Behold your King! Before Him lowly bend!
Behold your King, Before Him lowly bend!
Truly He taught us to love one another;
His law is love and His gospel is peace.
Chains shall He break for the slave is our brother;
And in His name all oppression shall cease.
Sweet hymns of joy in grateful chorus raise we,
Let all within us praise His holy name.
Christ is the Lord! O praise His Name forever,
His power and glory evermore proclaim.
His power and glory evermore proclaim.



Thursday, December 20, 2012

The beauty that can come from "Landfill Harmonic"

Is it possible to make beautiful music from instruments made out of items found at a landfill?  The documentary "Landfill Harmonic" could answer that in a marvelous way.

Photo courtesy "Landfill Harmonic"
This is a project that was brought to my ettention by an old high school friend a few days ago.  I'd never heard of it until then, but once I watched a piece of it, I was amazed.

The project's Facebook page tells more of the story ...

Landfill Harmonic is an upcoming feature-length documentary about a remarkable musical orchestra in Paraguay, where the musicians play instruments made from trash.
Cateura, Paraguay is a town essentially built on top of a landfill. Garbage collectors browse the trash for sellable goods, and children are often at risk of getting involved with drugs and gangs. When orchestra director Szaran and music teacher Fabio set up a music program for the kids of Cateura, they soon have more students than they have instruments.

That changed when Szaran and Fabio were brought something they had never seen before: a violin made out of garbage. Today, there’s an entire orchestra of assembled instruments, now called The Recycled Orchestra.

Our film shows how trash and recycled materials can be transformed into beautiful sounding musical instruments, but more importantly, it brings witness to the transformation of precious human beings.

Who couldn't get behind a project like that?

Tuesday, October 23, 2012

The passion behind the music (Part 2 of 5): Stop and hear the sounds

I came across an interesting story on Facebook last February that is perfect for the blog this week.  It's a story that -- if we read it, take it to heart, think about it -- can reach inside our souls and maybe, just maybe, help us to spend some time taking stock of our priorities and maybe reconsider them a bit.

Maybe it will help us to stop, listen, and appreciate some of the most beautiful sounds that can surround us in our busy lives.

I'm reprinting the story as it appeared on Facebook.

“A man sat at a metro station in Washington DC and started to play the violin; it was a cold January morning. He played six Bach pieces for about 45 minutes. During that time, since it was rush hour, it was calculated that 1,100 people went through the station, most of them on their way to work.

“Three minutes went by, and a middle aged man noticed there was a musician playing. He slowed his pace, and stopped for a few seconds, and then hurried up to meet his schedule.

“A minute later, the violinist received his first dollar tip: a woman threw the money in the till without stopping, and continued to walk.

“A few minutes later, someone leaned against the wall to listen to him, but the man looked at his watch and started to walk again. Clearly he was late for work.

“The one who paid the most attention was a 3 year old boy. His mother tagged him along, hurried, but the kid stopped to look at the violinist. Finally, the mother pushed hard, and the child continued to walk, turning his head all the time. This action was repeated by several other children. All the parents, without exception, forced them to move on.

“In the 45 minutes the musician played, only 6 people stopped and stayed for a while. About 20 gave him money, but continued to walk their normal pace. He collected $32. When he finished playing and silence took over, no one noticed it. No one applauded, nor was there any recognition.

Joshua Bell
“No one knew this, but the violinist was Joshua Bell, one of the most talented musicians in the world. He had just played one of the most intricate pieces ever written, on a violin worth $3.5 million dollars.

“Two days before his playing in the subway, Joshua Bell sold out at a theater in Boston where the seats averaged $100.

“This is a real story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste, and priorities of people. The outlines were: in a commonplace environment at an inappropriate hour: Do we perceive beauty? Do we stop to appreciate it? Do we recognize the talent in an unexpected context?

“One of the possible conclusions from this experience could be:

“If we do not have a moment to stop and listen to one of the best musicians in the world playing the best music ever written, how many other things are we missing?”